Web 2.0 Expo 5 - Disruption in the Music Industry
My last session today at the Web 2.0 Expo was the brothers Hadi and Ali Partovi from the music service iLike, which according to the brothers is the largest music provider to social platforms such as Facebook, Bebo, Orkut and hi5.
The Partovi brothers were talking about some of the radical changes which the music industry is undergoing these days:
- Albums are being unbundled
- Economic recession
- Squeezed by powerful retailers
- Competing with free (file sharing)
- Digital sales rising, but not enough
But as their own business testifies, the Internet and specifically web 2.0 may have challenged the music industry, but they have also opened up completely new business opportunities.
The Partovi brothers mentioned specifically four areas where there is room for both monetization and innovation.
1. Downloads
2. Artists as channels
3. Streaming
4. Live music
1. Downloads
Trend:
Right now music downloading is moving from the DRM (Digital Rights Management) paradigm to the DRM free paradigm.
Who are the players:
• Itunes
• Rhapsody, Amazon, Napster
• Ringtones: Thumbplay, Jamster
Where does the money come from:
Consumers are paying for downloads
Opportunities:
• Mobile
• Social /enabling discovery through friends
• Syndicated (you can buy music anywhere on the web)
2. Artists as channels
Trend:
• Musicians communicating and releasing music directly to fans
• From albums to continuous release
Who are the players:
• myspace, iLike
• Kyte, Nabbr, ReverbNation
Where does the money come from:
• Advertising
• Subscription
Opportunities:
• Personalization
• Syndication
3. Streaming
Trend:
Streaming is the new downloading
Who are the players:
• Radio: Pandora, lastFM
• Video: Youtube, Yahoo
• On-demand: Rhapsody, iMeem
• Social media: Myspace, iLike
Where does the money come from:
• Advertising
• Subscription
Opportunities:
• Mobile
• Syndication
4. Live Music
Trend:
Rising ticket prices
Who are the players:
• Ticketmaster, LiveNation, Stubhub
• iLike
• Eventful, Songkick, others
Where does the money come from:
• Ticket sales (consumer pays)
Opportunities:
• Personalization: concert alerts
• Syndication: “on tour” notifications
• Social concert tools – invite friends to go to concerts etc. etc.
• Mobile:
o Concert alerts
o Ticket purchase
o Bar codes
o On-site connected experience


1 Comments:
Great work.
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